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March 19th, 2010

Ariel Pink – Round and Round

This song couldn’t have arrived at a better time. As warm weather swarms San Francisco I think you’d be hard pressed to find a better song this entire summer. Increasingly amazed at Ariel’s small output over the past year that has more lasting power than pretty much any other releases by any artist. Coming to the game a little late on this, a bit laid out with a cold but I haven’t seen anyone post the original version of Round and Round yet that was released awhile back. I get the feeling that Ariel has enough old taped song sketches to rework for quite some time. His reworking of “Phantasm” to “Phantasthma” on last summers E.P. has become one of my favorite songs.  Needless to say this reworking, after basically nonstop listening for a week, seems on path to do the same.

Ariel Pink – Round and Round

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Ariel Pink – Round and Round (Original Take) (Frontman/Hold On (I’m Calling))

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March 10th, 2010

Michael Yonkers – Lovely Gold

A tinkerer, an eccentric, an alchemist — the Michael Yonkers of my imagination is in a room of detritus and scattered cranks, whistles, pulleys, and chain links.  There are curious inventions and abandoned contraptions strewn across the floorboards. Yesterday’s inspiration lies aborted and beautiful next to today’s. There is no apparent order to this space but, at least in my version of his life, he sits on a stool in the corner of a cavernous workshop wearing week-worn clothes with a guitar in his hand and a tape recorder on his table.   There’s some seriously blissed-out rockabilly loner-folk bouncing between the walls. Where one song is as ethereal and fuzzy as an English acid-rock dirge, the next has the punch and shake of Buddy Holly or early Elvis. Though unapologetic about its idiosyncrasy, this record is altogether catchy, approachable, and hummable. If it weren’t for the pervading spookiness of his off-kilter vocal layering, I might even call it danceable. I’m definitely going to explore this guy some more; supposedly in the mid-70′s he released a trio of folk albums — Grimwood, Goodby Sunball and Michael Lee Yonkers – that stand in stark contrast to his theretofore established proto-garage styling. Lovely Gold’s release date is set for March 23 on Drag City — take a listen.

[ download ] Lovely Gold

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March 9th, 2010

Palace- Days in the Wake

Days in the Wake vividly encapsulates a young man, in all his suchness.

It seems like it takes place over the course of just a few days, and at the same time it gives a sense of the vast unconscious past.

At times it expands with every verse, its dimensions widening immeasurable beyond what was already fully wide. It is always fully wide. Fully itself. Fully: a few days in the life, and more.

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No More Workhorse Blues

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All Is Grace

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(Thou Without) Partner

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I Am A Cinematographer

March 9th, 2010

Bellemeade Sessions

Photo (C) Alissa Anderson

Here are some great tracks from Michael Hurley’s (out of print) Bellemeade Sessions, recorded between 1994 and 1998, presumably at Hurley’s home.

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Misery

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Love Changing Blues

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Ruben’s Train

March 6th, 2010

Gene Estribou & Jean-Paul Pickens

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Solo acoustic split LP recorded in San Francisco in 1965.

March 5th, 2010

"Happy New Year Luie"

What an incredible approach to the acoustic guitar.

March 2nd, 2010

Rodd Keith

My most recent musical nirvana. Rodd Keith was a song-poet in the late 60′s who effortlessly channeled multi-genre melodies and had songwriting chops that would have made Scott Walker or Joe Meek blush. Rodd Keith seemed to single-handedly and simultaneously embrace and shirk the notoriously gritty and sleazy connotations of the song-poem business long known as song sharking where people would respond to want ads in the back of newspapers requesting you send in your poem to be set to music. Once your music was sent in they often sent letters asking for more money to cut the 45 and usually implied that there were labels interesting in releasing it. What made Rodd Keith stand out was his ability to take the lyrics sent in and create surreal songs that transcended the pastiches found throughout the late 60′s and early 70′s  L.A. music scene. His conservative upbringing and subsequent move to L.A.  where he fell into the rougher aspects of the music scene doing psychedelic and amphetamine drugs eventually leading to his  increasingly alluring yet bizarre musical output til the end with his mysterious death after jumping off a freeway overpass in the early 70s in L.A.

With his output being so diverse it’s hard to say where the best place to start is. Try these songs for a first taste:

Rodd Keith – Little Rug Bug

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The chamberlain (early mellotron found on a lot of his recordings) solo in this song is so effortlessly cool. Not to mention how Keith is able to transform the bizarre lyrics into the no sleep for a week half drunk crooned masterpiece it is.

Rodd Keith – Ecstasy To Frenzy

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A musical menagerie of everything L.A. late 60′s, but done so much better. Love the chopped up self-backup vocals Keith employs on the song.

Rodd Keith – First Comes the Rain

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Another smoggy psychedelic morning in L.A.

Rodd Keith – Somebody Else

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I feel way cooler than I actually am driving around to this song. Not sure who it is that lends the female vocals to this track, but they work so well.

Rodd Keith – This

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Pretty John Maus-y. A cheesier/dirtier Serge Ganisbergesque (if that’s possible?) tune.

Both of the compilations of his output are worth purchasing. Click to buy Ecstacy to Frenzy and I Died Today

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