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May 6th, 2009

Bert Jansch Announces Tour of North America

Following his internationally acclaimed album The Black Swan, and fresh from the triumphant UK reunion of the original line up of Pentangle in 2008, Bert Jansch celebrates the long awaited first-time CD release of his three albums recorded for Charisma in the 1970s: the seminal LA Turnaround, Santa Barbara Honeymoon and A Rare Conundrum, with a 22 date tour of North America this summer.

Fri 26 June Albuquerque, NM The Cooperage http://www.ampconcerts.org/

Sun 28 June Denver, CO Swallow Hill http://swallowhill.com/

Wed 1 July Portland, OR Doug Fir http://www.dougfirlounge.com/

Thur 2 July Seattle, WA Triple Door http://www.thetripledoor.net/

Fri 3 July Vancouver, BC Richards on Richard’s http://www.richardsonrichards.com

Sat 4 July Victoria, BC Conservatory of Music http://www.vcm.bc.ca

Mon 6 July Anchorage, AK University of Alaska Wendy Williamson Auditorium

Wed 8 July Los Angeles, CA Largo http://www.largo-la.com

Fri 10 July Santa Cruz, CA Don Quixote’s http://www.donquixotesmusic.info

Sun 12 July San Francisco, CA Café Du Nord http://www.cafedunord.com

Fri 31 July Portland, ME The Space http://www.space538.org/

Mon 3 August Montreal, QC La Sala Rossa* http://www.casadelpopolo.com/

Wed 5 August Toronto, ON Horseshoe Tavern* http://www.horseshoetavern.com/

Fri 7 August Pittsburgh, PA The Warhol* http://www.warhol.org

Sat 8 August Columbus, OH Wexner Arts* http://www.wexarts.org

Mon 10 August Chicago, IL Martyrs* http://www.martyrslive.com/

Wed 12 August Lexington, KY The Dame* http://www.dameky.com

Fri 14 August Asheville, NC Diane Wartham Theatre http://www.dwtheatre.com/

Sun 16 August Charlottesville, VA The Southern*

Wed 19 August Alexandria, VA Birchmere w/ Al Stewart http://www.birchmere.com

Thur 20 August New York, NY City Winery* http://www.citywinery.com

Fri 21 August Philadelphia, PA Johnny Brenda’s* http://www.johnnybrendas.com

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April 3rd, 2009

Sir Richard Bishop: The Freak of Araby

This the first time EVER that Sir Richard Bishop has performed ANY of his solo material with a band. I’m really digging the groove of this record  – Sir Richard’s guitarwork slithers across beguiling hand percussion and ethnic flourishes in a way that I’ve never quite heard, even from the musicians he emulates. This is no ‘world music’ record; this is an original statement by a consistently innovative artist. The record drops on May 26th, just in time for hazily roaming windswept desert bazaars or throwing pool / opium parties this summer.

From Drag City:

Sir Richard Bishop celebrates the musical voices of the Middle East and North Africa, especially from the late 1960s and early 1970s. Electric guitar with percussion is the main focus of the album and include interpretations of songs by some of the Middle East’s most vibrant composers (Mohammed Abdel Wahab, the Rahbani Brothers, Farid Al-Atrache and others). Many of these songs are inspired by the late Omar Khorshid “King of Arabic Guitar”, who played in Abdel Wahab’s orchestra and also accompanied the great Oum Khoulthoum on many occasions. This album is melodic, vibrant and dynamic, and a rare treat to listeners who may not be familiar with the electric sound that permeated the countries of Egypt, Lebanon, Palestine and Syria 40 years ago. The Freak of Araby is a collection of songs that nicely represents the changing moods and energies that always permeate this region of the world. When you listen, take in the rhythm and endless spurts of melodic and psychedelic transcendental guitar.”

[ stream ] Kaddak el Mayass

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March 5th, 2009

Bonnie 'Prince' Billy Debuts "I Am Goodbye" Video

Looking like some kind of sublime Turkish Santa Claus, Mr. Oldham just released a perambulatory music video for “I Am Goodbye” off his forthcoming record, Beware, set to drop March 17 on Drag City.  Click the image above to watch.

US & Canadian tour dates after the jump:

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November 26th, 2008

Six Organs 10th Anniversary

RTZ

When you think of the way you used to live, the way you degraded the planet. You didn’t know all creatures are equal! Today, you look back and see yourself in a different light. To think that Six Organs was all that held you up to the divine.

Steve Quenell

Artwork: Steve Quenell

The double-CD, triple-LP epic called RTZ (named after the button on a 4-track that “returns to zero”) fashions several lesser-known pieces from Six Organs of Admittance‘s early years into an massive prismatic arc, colossal and organic like some wonder of the ancient world. How could it be otherwise? Even when existing as only one half of a record, as many of these pieces once did (and still do, somewhere), Mr. 6OOA (Ben Chasny, y’all!) leans into the eternal – letting the winds of Time scar his face and the light of All There Is burn his skin black. Grandmaster Chas has sacrificed the body for his music time and again over the years. RTZ is an iridescent chimera in full flight, viewed through stained glass.

Cataloging these early non-album excursions requires a bit of leg-(and mind) work. RTZ travels back to the dawn of this century to locate “Resurrection,” half of a Time-Lag split 12″ with Charlambadies. “Warm Earth, Which I’ve Been Told” is half of a Mental Telemetry split CD with Vibracathedral Orchestra and Magic Carpithans from 2003. “You Can Always See the Sun,” was part of Three Lobed Recordings’ Purposeful Availments subscription CD series in 2002. And “Nightly Trembling” was released way back in 1999 in an edition of 33 copies, all given away for free! That’s some spiritual shit right there. Combined with a never-before-released extended piece called “Punish the Chasm with Wings” from pre-millennial days and you’ve got yourself a deep, DEEP box set, crammed into a multi-faceted LP jacket.


Rich with excursions to exotic musical climes and rhythmic with prayerful chants from the dark shadows of the earth, RTZ uses strings and bells, riffs both warm and icy, glowing lead guitars, massed voices and the pure, open air for its mantras and rituals. As the title alludes, these old sounds were forged in that bastion of personal expression, the four-track recorder. When a man can record a few feet from his bed, he becomes more inclined to render his nocturnal intuitions. And when that man is Ben Chasny, he can use those remastered (but still good and dusty) early recordings to attain the ultimate goal: a multifaceted triple-gatefold LP.

Pre-Order your copy

October 23rd, 2008

Nimrod Workman: I Want To Go Where Things Are Beautiful

“It’s amazing that Nimrod learned and retained these songs, that he can compose on the spot, that he survived 40 years of mining life and many more years than that of tobacco and alcohol use, and that he remains at the age of 92 vital and able to talk and sing with strong conviction. He is a treasure.” – Mike Seeger, 1987

The voice is the vehicle through which all singer-songwriters separate themselves from the rest. Through its pitch and its timbre, through its imperfections and its quaver, the voice builds a bridge between the singer and his listener.  It’s the human element that any folk fan craves, because the folk fan craves narrative (both in the lyrics and in the musician himself). Many talented musicians have mastered their instrument only to collapse, to recede in the undertow of their own fluency. Because we’ve all heard virtuoso musicians, and gawked, and let our lips turn upright and exalt the wonder of it all. They’re great. A virtuoso plays their instrument with unparalleled mastery, the fruits of weeks spent locked in a bedroom.  We watch with a passing fascination: awed, yes, but apt to amble.

From a strictly auditory standpoint, Nimrod Workman’s voice is difficult to listen to. There’s no sugar coating that fact. It’s imperfection personified, but that’s the point. By listening to it, you’re not going to be transported anywhere but directly into the grizzled, pain-stricken life of the man singing. Comprised of strictly acapella folk ballads and some ramshackle originals, I Want to Go Where Things Are Beautiful is part musical odyssey and part history lesson.  It is, to my ears, an album of vicarious pain or, more accurately, its ability to give me some. But I crave that connection, however unsettling. In a disconnected paint-by-data world I long for the ability to understand  someone else’s reality. I want to go where things are beautiful too.

The record, being released November 18, is Drag City’s first release in conjunction with Twos & Fews and was recorded by Mike Seeger in 1987. Nimrod died at the age of 99 in 1994.

[ download ] Rock the Cradle Alone

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August 25th, 2008

Out with the Oldham, in with the new

It seems like it’s hard to go a week without finding some news on Will Oldham. But, just like all Oldham news past, this latest development is just as exciting. This fall, Will and his two brothers Ned and Paul are releasing an EP of original tunes…sure to delight, of course. I know by this point you might think that I have some mp3’s to share with you…but like usual, I’ll have to disappoint. But! I do have the incredible artwork for the project, as well as a video to wet the appetites for all things Oldham.


From the artist, Kevin E. Taylor:

“I recently finished the artwork for an upcoming Oldham Brothers EP release due out sometime in the fall. The brothers wanted to give a nod to Francisco Goya’s etching series, “Los Caprichos“. I really liked the idea, since I’ve always observed some similarity (if I may be so bold) in theme, subject matter, and general darkness amongst our images. Presumably, it’s a Spanish release, so I’m not sure about availability as of yet, but if you’re a fan like me, you’ll track it down. I’m really honored and excited to have the opportunity to work with the Brothers, as I’m most certain that they embody some of the finest song writing happening today.”

Also, in other exciting news, Drag City is going to be releasing Bonnie ‘Prince’ Billy’s classic album I See a Darkness as well as Palace Music’s 1995 album Viva Last Blues. ON VINYL. Keep your eyes on the Drag City website for release info!

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June 26th, 2008

Helena Espvall & Masaki Batoh – new mp3

“The improvisations were done on the last recording day, with no overdubs. “Completely free” was the essential concept. For one of them, they were joined by Batoh’s fellow Ghosts Takuyuki Moriya (contra bass), Kazuo Ogino (piano,celtic harp) and the santur player Mayumi Nagayoshi. The same morning Helena had received notice that her grandmother suddenly had died, and that a dear friend had chosen to end his life. Two death letters in one day…there is great emotion reflected in the improvisations. And great depth and beauty throughout the whole Helena Espvall & Masaki Batoh album.”

[download] “Uti Var Hage” from Helena Espvall & Masaki Batoh, out July 22nd on Drag City

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June 25th, 2008

Silver Summit

Fresh off the presses from Greg Weeks’ Language of Stone imprint, Silver Summit’s self-titled debut LP drips with funereal prog/metal atmospherics. Hazy, smoky, and macabre, the record’s mellifluous vocal harmonies and meandering multi-ethnic instrumentation paint mental portraits of foggy Victorian streets, gypsy caravans, and Baghdad bazaars with effortless execution.  Silver Summit’s songwriting sometimes falls victim to its own sonic ambition, but Greg Weeks’ masterful production proves a hypnotic panacea to SS’s shortcomings.

youtube.com/watch?v=TBncrlXpUnY]

[download] “The Door” – from Silver Summit

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June 6th, 2008

Bonnie 'Prince' Billy Answers Tough Questions

Bonnie ‘Prince’ Billy, hot on the heels of his newest album Lie Down in the Light, has taken to to the streets with an earnest ear and a gracious heart. Drag City culled this fanatastic Q&A together with the help of Bonnie fans around the world!

~~

Why are things so hard sometimes?
Patrick

Dear Patrick,
They just are. Once my brother looked at me with shame many years ago; my head was hung low and I was in a dark and silent brood. He scorned me angrily, saying to me “What’s your fucking DEAL? Things aren’t so TRAGIC all of the time.” And I knew he was very correct in this. If I remember right, Bill Murray led the crowd in Meatballs to chant “It just doesn’t matter!” and where this is not true, it helps to throw the balance on the other side every once in a while; onto the Not True side, onto the desired-reality side. Things are also hard because hard is good. A hard penis is good for a yearning vagina or sphincter, and a hard road is better for tire traction than a soft road. Easy makes lazy, makes shallow, makes for poor company. SOME times.

~~~

Dear Bonny,
How do you deal with the lonely times?
Patrick

Dear Patrick,
At this point in my life, I am rarely lonely. This is new for me. I am 38 years old, and it took me a good 36 or 37 years to enjoy my own company, and to enjoy fully the quietness of that state. Prior to recent times, being alone meant being scared, and I would deal with it through reading, drinking, or enjoying the proxy companionship that movie-watching provides. Or writing, or running scared. Sometimes doing objectively horrible things! But those days are not here for now. As easy at it is to deny or forget, doing maintenance was always the best way of dealing with the lonely times. Weeding, sweeping, responding to letters. Things that, unfortunately do not give immediate visceral satisfaction. Still, when the tasks were done, I would feel happier, and the time for sleep, and dreaming, would be closer at hand.

~~

Dear Bonny,
Your music is deeply inspired. Not having the talent of a singer/songwriter such as yourself, will you please tell me how I can convey your music in real life? If the world is a stage to act upon how can I act out a Bonnie “Prince” Billy album?
Daniel Perkins

Dear Mr. Perkins,

Whoa! I wrestle with this very question every day. So I will answer it for me, and hope that there’s something you can relate to.

When I was a teenager, I did not really drink or take any drugs; I was relatively “straight edge”. But I was hungry for stimuli and adrenalin and endorphins. When people or experiences or foods or weather modified my internal chemistry in an intriguing way, I wanted to bottle it for later consumption. This is what making music became good for: a possible medium for the capturing and transmitting of personal natural wonders. Making music became a parallel activity, parallel and braided with the push-me-pull-you of choice+fate. I needed to make the songs, but I needed to be in such a way that justified the songs, as best as possible. O dear, this isn’t going very well. In real life? Stop, breathe, do, sleep, shit, attack, fall, swim, hug, cum, spend, smell, save, read, form, listen, play video games and deny fake boobs.

June 2nd, 2008

Noa Babayof: From a Window to a Wall

With a resonant, sonorous voice that recalls Nico’s early early chamber-folk, Language of Stone’s Noa Babayof makes her first steps out of the gate with a confidence that’s both refreshing and rare in a debut recording. Based out of Israel, Babayof’s inflected English also draws comparison to the aforementioned singer, with equally engaging results. The songs of From a Window to a Wall are of both the breeze and of the soil: washed in atmospherics yet structured and mature.

From a Window to a Wall is released on June 17, and catch Noa’s east coast tour with Sharon Van Etten in the upcoming month!

[download] “Marching Band” + “At Your Death

May 29th, 2008

Bonnie 'Prince' Billy in italiano

Will Oldham just keeps the surprises comin’. The mercurial and prolific songster, whose new album Lie Down in the Light has been on steady rotation – er, has had a high iTunes playcount – throughout the past week, has lent his his trademark croon to the Italian band Numero6. Better still, he sings in Italian. I have no idea why, how, or where this song was recorded. I’m guessing Italy, but who can tell in this flat world of ours. I do know, however, that it’s always a sonic blessing to hear new material from Mr. Billy.

[download] “Da piccolissimi pezzi (Feat Bonnie Prince Billy)

More dates after the jump!

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